HENRI HÜTT, VEIKO TUBIN loeng-etendus "Sisenemine sisenemisse"
”Enter the enter” focuses on the fine tuning between real life and created situations. The project analyses the expectations (on the horizon) of all the performative venues in Estonia.
During ”Enter the enter” process, the audience entrance calls from all the Estonian performing arts venues were collected. Entrance melody that usually starts the preparation of the show and is the sign to take the seat will be this time the main character on stage. Besides different listening and information sharing experience ”Enter the enter” consists also analytical perspective.
Selected thoughts and questions of what the process deals with:
• How to get ready?
• Why this certain kind of tone? Is it suitable/in harmony with this particular venue?
• What to do when performance and entrance invitation (and venue) do not match?
• Why this certain melody is (usually) repeated 3 times?
• What is the background/history of this long-living tradition?
• Etc.
There has never been a situation where all Estonian theatres and performing art venues are identity-wise connected in one process. Also, the aspect that Estonian performing arts venues are quite unique because of that tradition of having really individual and characterized entrance calls. This small step between staged situations and life is now on focus. ”Enter the enter” is the preparation for the connection between the spectator and spectacle.
Idea/Execution/Performance: Henri Hütt
Execution/Performance: Veiko Tubin
Artist, design: Jaan Evart
Technical support: Henry Kasch
Co-production: Kanuti Gildi SAAL
In collaboration with: Eesti Teatri Agentuur
Supported by Cultural Endowment of Estonia
Thank you: Estonian National Opera, Kuressaare City Theater, Tallinn City Theater, The Estonian Drama Theater, Endla Theater, NUKU Theater, Rakvere Theater, Theater NO99, Ugala Theater, Theater Vanemuine, The Russian Theater, Tallinn Children Theater, Arena, Banaanikala Project Theater, Daysleepers, Estonian Dance Agency, Emajõe Summer Theater, Fine5 Dance Theater, Goltsman Ballet, Ilmarine, Kanuti Gildi SAAL, Kell Kümme, Kinoteater, Miksteater, Must Kast, Piip ja Tuut Theater, Polygon Theater, Prem Productions, R.A.A.A.M., Sundown Entertainment, Independent Dance Stage (STL), Tallinn Dance Theater, Tartu New Theater, Teoteater, Theatrum, Tuuleveski Theater, The foundation Vaba Lava (Open Space), Old Baskin's Theater, Theater Varius, VAT Theater, Vilde Theater, Von Krahl Theater, Impro Theater Ruutu 10, Estonian Impro Theater / Arena, Impro Theater Impeerium, Impro Theater JAA, Raadio Theater (the list will be updated) & Pact Zollverein
Duration: 75
Special thanks: Priit Raud, Lea Tormis, Henrik Kalmet, Anu Lamp, Taavi Kerikmäe, Rasmus Puur
Premiere: 6th of September on the Estonian Theater Festival DRAAMA 2018
Ticket: on presale at Piletilevi 8/12 EUR, at the door 10/15 EUR
More info: www.saal.ee
During ”Enter the enter” process, the audience entrance calls from all the Estonian performing arts venues were collected. Entrance melody that usually starts the preparation of the show and is the sign to take the seat will be this time the main character on stage. Besides different listening and information sharing experience ”Enter the enter” consists also analytical perspective.
Selected thoughts and questions of what the process deals with:
• How to get ready?
• Why this certain kind of tone? Is it suitable/in harmony with this particular venue?
• What to do when performance and entrance invitation (and venue) do not match?
• Why this certain melody is (usually) repeated 3 times?
• What is the background/history of this long-living tradition?
• Etc.
There has never been a situation where all Estonian theatres and performing art venues are identity-wise connected in one process. Also, the aspect that Estonian performing arts venues are quite unique because of that tradition of having really individual and characterized entrance calls. This small step between staged situations and life is now on focus. ”Enter the enter” is the preparation for the connection between the spectator and spectacle.
Idea/Execution/Performance: Henri Hütt
Execution/Performance: Veiko Tubin
Artist, design: Jaan Evart
Technical support: Henry Kasch
Co-production: Kanuti Gildi SAAL
In collaboration with: Eesti Teatri Agentuur
Supported by Cultural Endowment of Estonia
Thank you: Estonian National Opera, Kuressaare City Theater, Tallinn City Theater, The Estonian Drama Theater, Endla Theater, NUKU Theater, Rakvere Theater, Theater NO99, Ugala Theater, Theater Vanemuine, The Russian Theater, Tallinn Children Theater, Arena, Banaanikala Project Theater, Daysleepers, Estonian Dance Agency, Emajõe Summer Theater, Fine5 Dance Theater, Goltsman Ballet, Ilmarine, Kanuti Gildi SAAL, Kell Kümme, Kinoteater, Miksteater, Must Kast, Piip ja Tuut Theater, Polygon Theater, Prem Productions, R.A.A.A.M., Sundown Entertainment, Independent Dance Stage (STL), Tallinn Dance Theater, Tartu New Theater, Teoteater, Theatrum, Tuuleveski Theater, The foundation Vaba Lava (Open Space), Old Baskin's Theater, Theater Varius, VAT Theater, Vilde Theater, Von Krahl Theater, Impro Theater Ruutu 10, Estonian Impro Theater / Arena, Impro Theater Impeerium, Impro Theater JAA, Raadio Theater (the list will be updated) & Pact Zollverein
Duration: 75
Special thanks: Priit Raud, Lea Tormis, Henrik Kalmet, Anu Lamp, Taavi Kerikmäe, Rasmus Puur
Premiere: 6th of September on the Estonian Theater Festival DRAAMA 2018
Ticket: on presale at Piletilevi 8/12 EUR, at the door 10/15 EUR
More info: www.saal.ee